Join our mailing list for the latest news

Our Second CD

Unlugged

53 Willys

Exclusive download on CD Baby!

Unlugged - by Rick Coughlin

The sophomore five song EP effort, Unplugged, from 53 Willys doesn’t disappoint, as the band shifts gears from the frantic, eclectic, and hopped up 80’s punk vibe of their debut long player Four Wheel Low. Keeping true to the band’s namesake of a machine that travels, this is a travelling album at it’s finest. Where Four Wheel Low left you wanting to crack a PBR, slam a shot, and tell somebody to hold your beer while you dance, this is a sit back and cruise north album. And by north, I mean northern Michigan, because, you know, the midwest does it best.

Unplugged is aptly named because of the heavy focus on acoustic based songs, and this mode fits 53 Willys like a nice pair of well loved Levis. In fact, the more you listen, the more the EP feels like said Levis. Phil Macfarland lends a warm Eric Earley of Blitzen Trapper fame, or Bob Dylanesque rasp to the opening track Appaloosa, and follow up tracks Ukeditty, and Every Girl, while Todd Wire, drummer extraordinaire, and backbeat mastermind, lends his pleasant and surprising mellow to ease your harsh on Maui and Let It Shine. Cue the Levis commercial theme songs. Not that this is a sellout album. This is, to be clear, an indie effort, with big heart and won the hard way.

Appaloosa kicks off the EP and instantly feels like a road trip you want to be on, touching on the Allman brothers acoustic love of Sweet Melissa. Let it Shine highlights a fantastic addition to the band with Todd Wire’s vocals. This track also features a really sexy warble of the Fender Rhodes on keyboards by Dan Silkworth, who seems to have ditched the more synthesized sounds of the last album for the more organic and vintage on Unplugged. Silkworth, who pulls double duty as both chairman of the boards and the Slick Willie of sax, really drives home the classic tones with this round. In fact, the entire album is more organic, and not the kind you get at Whole Foods. Hell, it certainly won’t cost you as much as a trip to that grocer, and will leave you with something to enjoy for years to come. This isn’t about groceries thought, this is about a band that has played together through thick and thin for coming up on a decade, and it shows.

Ukeditty, features some of Shawn Grose’s best melodic bass playing and it shines through, as it does on the rest of the album. Bass players almost never get the love they deserve, and while Grose’s songwriting and vocals featured prominently on Four Wheel Low, he settled into the backseat on this one, but it wouldn’t be fair to say the bass plays a backseat role here. It’s tone for miles, and lends a proper and compelling melodic movement to counter the persistent strum of Macfarland’s acoustic stylings.

Maui is the only track that harkens back to the humor and fun of the debut album. Not to say that this album isn’t fun, it’s just more pensive, which can be fun, right? Not every album from any artist needs to be like an AC/DC album that basically got made 30+ times. But Maui is catchy, fun, and I’ll be damned if you don’t want a Mai Tai or Pina Colada while listening. True to nature, this song will be understood by anyone who has survived a midwest winter. The only thing better than this song is actually going to Maui or at least drinking heavily enough to make you forget you actually chose to live in Michigan.

It might be a misnomer to call this album confident, because, if you know these guys, they are plenty confident, and were so on Four Wheel Low. But this is different. 53 Willys is a band. 53 Willys is just warming up. This feels like a band that’s settling into their concept and not afraid to explore their more mellow side, both lyrically and musically. Thankfully for you, they let you listen.

Read more… close
/
  1. 1 Appaloosa 04:43
    /
  2. 2 Let it Shine 05:11
    /
  3. 3 Every Girl 04:13
    /
  4. 4 Ukeditty 04:32
    /
  5. 5 Maui 02:54 Info
    /

Our Debut Album

Four Wheel Low

53 Willys

Review By Kip Williams of Desolation Angel Radio

53 Willys debut album “4 Wheel Low” is nothing but fun from the moment you put it on and slap it into your ears. Brimming with a heady ‘80’s punk vibe,(yes, I can hear some Red Hot Chili Peppers in there) and pulling in touches of 60’s psychedelic guitar, surf rock, sax that sounds like it came straight from The Stone Pony in Asbury Park, NJ, straight ahead rock and roll and even some touches of outlaw country, the album rocks. Now, putting all those into one set of songs making up an album is always chancy, there’s a distinct risk of sounding like a hot mess, or a band can pull it off and make the mix work and get you shakin’, poppin’ and movin’. 53 Willys pulls off the latter and makes a danceable rock and roll mix work. The production, mix and engineering are surprisingly polished for a debut album. What makes it all work for me is the sly tongue in cheek sense of fun in songwriting on the album. Opening with Beach Blanket Beer Jacket, a tale about a mythical babe magnet jacket and heading straight into the story of every trucker’s nightmare cop Good Cop-Bad Cop, then later on in the album the story of middle aged, midlife crisis gone horribly wrong, including the biggest nightmare of all, social media wrong, in Babysitter, heading straight into GFY, (which could find itself at home on any Outlaw Country station, and expresses that same sentiment, and is my absolute favorite cut on the album) and ending with an homage to the band’s namesake and legendary workhorse 53 Willys, the band never takes itself too seriously, a rare commodity, but takes the musicianship, the music, and the songs seriously, and has fun with it all. 53 Willys is Todd Wire on drums, Shawn Grose on bass, Phil McFarland on guitars (with all 3 sharing vocal leads), and Dan Silkworth on sax. (Listen to Dan’s sax touches, he’s been studying at the school of Clarence Clemons and Alto Reed). Wire and Grose are an able rhythm section, and can carry songs straight on through, keepin’ on chooglin’ when McFarland takes off on an early Ventures solo, or heads off into ‘60’s psychedlia land with his guitar. Whitey Benson sits in on several tracks helping out on guitar and keys. Michigan is always hard to pin down. In a state that’s given the world Motown, Del Shannon, Bob Seger, Kid Rock, Eminem, Patti Smith, Iggy Pop, The MC5, Grand Funk and Alice Cooper, there are two definable categories – Great or “it sucks, keep your day job and stay in the garage”. 53 Willys has staked out their claim towards great, and I don’t think it will be long until they’re sharing a stage with Ty Stone, Whitey Morgan and the ‘78’s, Doop and The Inside Outlaws, Rachel Brooke, or Alison Lewis and String of Ponies and staking their claim to their part of the scene. Pick up 4 Wheel Low, put it in, dance.
Read more… close
/
  1. 1 Beach Blanket Beer Jacket 03:28
    In cart Not available Out of stock
    /
  2. 2 Good Cop - Bad Cop 03:23
    In cart Not available Out of stock
    /
  3. 3 Can You Feel It? 04:49
    In cart Not available Out of stock
    /
  4. 4 T- For Texas 04:17
    In cart Not available Out of stock
    /
  5. 5 Sugar Lake 04:39
    In cart Not available Out of stock
    /
  6. 6 Babysitter 04:14
    In cart Not available Out of stock
    /
  7. 7 GFY 03:28
    In cart Not available Out of stock
    /
  8. 8 53 Willys 03:06
    In cart Not available Out of stock
    /

Our Live EP

Demo Tracks